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An illustration of Jersey as part of an ongoing collaboration between Me In My Place and Jose David Morales

Words by Sophie Saint Thomas
Images and Gifs by Michael Edwards
Illustrations by Jose David Morales
A line had already formed around the block, frustrated fans being turned away from the sold out show when I arrived at Irving Plaza early to interview C2C, whose colossal French fame has crept to America. I’m supposed to be some hip music writer, and of course I did my research, but come on, a few weeks ago I had no idea who the fuck these dudes were. (Granted, electronic dance music isn’t exactly my favorite scene, I’d actually rather make love to my heated curling iron than attend Ultra. Yeah, I said it.)
I read a joke somewhere that went along the lines of this: A man collapses on an airplane, clutching his chest. The passenger seated next to him urgently shouts to the cabin, “Is there a doctor onboard?” Someone stands up and replies, “No, but I’m a DJ.” “Me too!” shouts a woman. “I too am an excellent DJ!” answers another passenger.
You get the idea. With today’s technology and easy internet access to music, pretty much anyone can be a DJ. The word carries a sprawl of meaning, from D-list celebrities pressing play at clubs to stadium-filling true greats. As Atom, one fourth of C2C told us in the Irving Plaza green room before they took the stage to kick off a rare American tour, “We started 15 years ago when it was all vinyl and turntables. I think there are good and bad things [about technology changes] today, like everybody has access to all this music but at the same time you have less. 15, 20 years ago, you had to physically bring everything with you, and you had to find the record, and if you wanted to scratch with it you needed to find two copies.”
“So now if you want to DJ you just have to search playlists by other DJs on the internet,” adds 20Syl, the other C2C member we spoke with. “Everybody can be a DJ, but only the talented ones will rise to the top.”

C2C aren’t just typical DJs but a French turntable group originally from Nantes, consisting of 20Syl, DJ Greem, Atom and DJ pFeL. The four met 15 years ago in college, and despite a decade and a half together they just released their first full-length albumTetra in the U.S. on February 11, 2013.

After sidestepping many security guards and repeatedly dropping the “I’m press” line I made my way to the top balcony where I met Michael Edwards, MIMP founder and photographer, and Spencer Scanlon, Publicity Manager for Casablanca Records/Republic Records. Michael was sternly told repeatedly by a young and quite serious manager that no photos were allowed backstage and we would have to do with concert shots, a let down as Me In My Place focuses on a more intimate look into artists, difficult to achieve visually without portraits. Come on dude, don’t act like I don’t know that C2C got stuck with the 1:30 afternoon slot at Coachella. If you want more than just you in the audience while the rest of the attendees sip beers and pass joints in their tents next year, unclench your tight French ass and let in some fucking cameras.

After plastering ourselves with an array of yellow stickers, one for VIP entrance, a photo pass, press pass, and one allowing us to see the band, Michael and I were allowed into the green room. There was an untouched platter of crudites, and enough French sperm to conquer the Dutch half of St. Martin. Honestly, there was so much chaos going on I wasn’t even quite sure who or where the members of C2C were. As Michael and I stood there awkwardly for a few minutes I was ready just to bat my eyelashes at the first one to glance my way and pray he’s a member of the band, or at least knows where the hell they are.

We were finally lead into a second room and sat down with Atom and 20Syl, as a young friend of the group downed glasses of liquor and bobbled about the room. There was a television in the room that displayed the opening act on stage, and the interview was interjected with chants of “C2C! C2C!” from the eager crowd.
What I was most curious about, was why the 15 year wait to release a full-length album. In the years prior to the release ofTetra, C2C spent considerable time working on their two side projects, Hocus Pocus and Beat Torrent. Hocus Pocus is a jazz/hip-hop group composed of 20Syl and DJ Greem, while Atom and DJ pFeL’s project Beat Torrent is Hocus Pocus’s DJ brother. “We had propositions for gigs for C2C and Hocus Pocus on the same day. So the guys had to do the Hocus Pocus gig, and we had to do the C2C gigs, so pFeL and I said ‘Let’s make another band, just the two of us. And that’s how Beat Torrent was formed,’ says Atom.

C2C, the four’s collective whole and home, sound like the love child of Hocus Pocus and Beat Torrent. As C2C, they’ve been prominent on the competition circuit, winning four consecutive Disco Club Mix World Team DJ Championships from 2003-2006. After 15 years of side projects, playing video games, and owning the competition circuit, the group decided it was time to settle down and finally release a C2C LP. You’d imagine after 15 years of creating music together selecting the final tracks for Tetra would be difficult, but they simply picked 100, than voted on their favorite 20. “What was really funny at the end is that the 20 tracks we chose were the same…. the top five was the same for all of us,” says 20Syl.
Tetra was recorded in 20Syl’s home in Nantes he built himself, which includes a studio, a few bedrooms, a single bathroom, and his two most prized possessions: Two cats, one named Chicken.

“Chicken?” I ask.
“Yes, but in French. ‘Poulet.’ When we find him he was just preying in our garden, he was a baby, we just took him in. The other one’s name is Brittany but he became Pee Wee Net.”
“Pee Wee Net?” (Keep in mind there’s a chance I heard this wrong through the accent and surrounding hubbub.)
“You know cats, you give them a name and then you change it,” agrees Michael. I get it, my cat’s name was Sandra when I adopted her and now I call her Mama Cat, full name Mama Cat Pants.

For those new to the word “turntablism,” it’s more than just DJs keeping it old school, it’s an art form using turntables as musical instruments. In a live C2C performance, the use of turntables also includes physical feats involving rearranging the sizable turntables to “battle,” a light show constructed by each member to correspond with their beats, and of course, a tribute to MCA.
“There is this first step where we are moving with our turntables, then after that we battle, then my favorite is maybe when we play ‘The Beat’ song, because we take the mics and we are rapping and there is some explosion in the crowd because everyone is excited that we are… we doing a little homage to the Beastie Boys,” 20Syl says with a grin.

Eventually we were escorted out of the green room, yellow badges taken away, and the show began. It lived up to all of C2C’s promises, captivating light shows, a rearrangement of turntables for a battle, yes, a Beastie Boys tribute. My personal favorite moment was my favorite track of the album,“Happy,” a voodoo inspired video with vocals by Derek Martin. “We wanted to find a voice you could recognize,” says Atom. “Yes, we have been searching for something timeless, so you can’t tell if it’s a sample or not,” added 20Syl. “But there are no samples.” While slightly confusing, C2C’s range of cultural references in their music is impressive, from the old timey Chicago foot work in the black and white video for “Happy” to the group donning flat-brimmed New York baseball caps for a tribute to MCA.

I don’t particularly enjoy large sweaty crowds pressed against me, which at times has presented anxiety in my music journalism career and perhaps why I’ve kept my orgie fantasies limited to an incognito Chrome window. Sometimes a perk of covering a show is you get to sit up on the balcony, a different experience than the C2C fans pressed against the barriers I confess, but you get to witness backstage facets of tour that an average ticket holder does not. In this particular instance I’m not speaking of cocaine passed around on mirrors (there was none, don’t fret, dear family) but the elderly parents of DJ Greem who Michael and I gave up our seats for. Michael’s time is better spent running around capturing images and mine standing, enjoying a PBR and taking notes while discussing the show with Spencer, anyway. I attempted to talk to the adorable supportive French parents about their son, whose birthday it happened to be, but over the noise and the language barrier we couldn’t understand a word the other was saying, other than:
“You must be so proud,” I told Greem’s mother, smiling through the strobe lights.
“Yes, yes, we are so happy!” she responded ecstatically, hand on her husband’s shoulder.

For a list of C2C’s tour dates, visit http://www.c2cmusic.fr/tournee/.
(Source: app.meinmyplace.com)
An illustration of Ella as part of an ongoing collaboration between Me In My Place and Jose David Morales
see All of Ella’s shots here.
An illustration of Taryn as part of an ongoing collaboration between Me In My Place and Jose David Morales
An illustration of Lauren as part of an ongoing collaboration between Me In My Place and Jose David Morales

Words by Sophie Saint Thomas (@TheBowieCat)
Images by Michael Edwards
I was 14 when Andrew’s I Get Wet came out. I wasn’t sure why the infamous album cover of his face drenched in blood pouring from his nose got me wet, or why the video for “Party Hard,” featuring this wolf of a man headbanging in filthy ripped clothes, was such a turn on. Perhaps it was his party-positive message, or the raw male stench I was drawn to. Since I Get Wet came out I’ve had my eye on him, so when I heard Andrew had found himself a wifey, I had to meet this woman. It turns out Cherie Lily, the Queen to the King of Party, is just as intriguing as he is. While @AndrewWK gets wet, @CherieLily gets dripping wet.
Me In My Place is pleased to premiere an “Exclusive Bedroom Web Cam” music video for Cherie Lily’s “Body” produced by Vjuan Allure. The video is from her recent “Dripping Wet” EP, and in collaboration with MIMP’s “Dance Off” section, and a recent afternoon spent with the couple where we discussed sex etiquette, Cherie and Andrew’s love story, and of course, partying.
MIMP founder Michael Edwards and I are sitting at Santos Party House, the downtown Manhattan club and music venue Andrew owns. The party power couple arrives slightly late, coming from a joint work out session. Cherie, the afternoon’s star, is dressed in colorful spandex complemented with dominatrix-esque thong one piece. Andrew is in his signature dirty white jeans and t-shirt, in all likelihood the same clothes he wore over a decade ago in the “Party Hard” video. I ask Cherie if she’s ever worn the leather dominatrix accessory on its own for Andrew in private.

“Not this one specifically, but other things like it, yes,” Cherie answers with a smile.
“Do you guys want something to drink, some water or orange juice?” Andrew asks. He proceeds to pour himself some vodka, topped off with what appears to be cranberry juice, although I can’t be sure. In his stained white t-shirt and eyes hidden by sunglasses, he hands us some samples of Playtex’s “Fresh + Sexy,” an intimate wipe he’s become the face of.
“It’s two packets connected, the idea is that there’s one for before and after an intimate experience. Especially if you’re traveling, if I haven’t been able to take a shower for a day, or a couple days, or weeks or months, this really does come in handy,” he says. “Playtex generally makes products for females but this is for men and women. For men you can even use it if you’re by yourself! Um and you don’t have a partner…there’s cleanup that’s involved there.”



Between their workout dates, concerts, and exceptionally active lifestyle, these two sweat a lot. With her eccentric personality and style (not to mention flexibility and that leather ensemble) I wouldn’t mind smelling Cherie’s party myself, so Andrew better appreciate Cherie’s or else I’ll step in and do it myself. It’s obvious that Andrew is not someone who showers everyday, so I get how intimate wipes could come in handy, but just to make sure he’s down with unwashed lady parts, I ask how he feels about body odor.
“Cherie and I have been very lucky in that we don’t really smell each other. Other people might think we smell terrible, but I think we’ve been together long enough we just don’t notice it. Cherie smells like home.”
He gazes at her lovingly. “You smell like cozy.”

I see how far I can push the envelope. “Where’s the weirdest place you guys have gotten it on recently?” I ask, while Michael snaps photos of them making out. “Things must get tricky while on tour.” I’m hoping for stories of backstage blowjobs or a quickie in the green room before they take the stage.
“We go to a hotel room, or a bus maybe,” says Andrew. “I always just thought [public sex] was inconsiderate to other people, you know in case a kid walked in on you in a public place. I guess I had a few things like that happen to me, or even seeing friends when you’re over at their house being really loud because it turns them on for you to be able to hear them. It’s just not good manners or something.”

Time to refocus on music. I ask Cherie if the title of her her “Dripping Wet” EP is a nod to Andrew’s I Get Wet.
Andrew looks at Cherie. “Huh, I never thought of that.”
“Oh yeah, people say that all the time,” Cherie responds. “It’s a nod that happened without us really thinking about it.”
“A subconscious nod,” Andrew agrees. They often finish each other’s sentences, and forget that we are in the room and break into their own private conversations. It’s sickeningly adorable, and the romantic buried inside my pervert mind is quite pleased that my teenage crush has found himself such a perfect partner.

Cherie grew up outside of Chicago to Iranian immigrant parents who came to America in the late 60’s, before the Shah fell. Eventually making her way to New York, Cherie worked in the fashion industry before switching her focus to fitness and music, two loves she merged to create “houserobics,” a combindation of dance music and erobics. Along with continuing to teach fitness classes at Crunch, Cherie released “The Dripping Wet” EP on February 12th, 2013. The EP is Cherie’s follow up to her debut EP “WERK,” released on Andrew W.K.’s Steev Mike label. The video for “WERK” features her signature houserobics and some impressive moves by Andrew W.K., who says he pulled a few tendons while filming the video.



Andrew and Cherie met in 2005 through their shared vocal coach, Melissa Cross, who specializes in the art of screaming.
“I was in different hard core and rock bands at the time and I heard about this coach, so I went to go see her. I was in the waiting area and then this guy came out and it was Andrew,” says Cherie. “I was like ‘Oh my god, who is this guy? Andrew W.K., he’s so cute.’ ”

Melissa Cross’s role expanded from vocal coach to life coach as she helped set the two up.
“She knew right away! She knew Andrew really well, and then when she met me she knew we would be a good match. And she was right. Melissa told me that I couldn’t just ask him out, it had to be more organic. So she would make my lesson after his lesson so we would run into each other,” says Cherie.
I ask Andrew what he thought of Cherie the first time he saw her.
“I thought she was a little angel face,” says Andrew. “Also, I had been asking the singing teacher about a girl that could join my band, because from the very beginning, going back to like 98’, 99’, I’d always wanted this feeling of a team of people on the stage. I had a few friends who said ‘Oh use this girl, she’s great at keyboard.’ But I had met these girls, I mean they were very nice, and lovely and fine, but they would never be able to throw down, let alone withstand the atmosphere of doing what we do, not just on stage but traveling and the whole nature of it. Then when I met Cherie I asked Melissa initially ‘do you think she could do it?’ and she said yes, but I still had no idea the level of athleticism and stamina, and most of all the attitude that Cherie had.”

At the time, Cherie was working in the male model division at Wilhelmina Models. She invited Andrew in for a meeting with the celebrity division to secretly get closer to him, but it was Andrew who finally asked her out. The two married on October 4th, 2008, in a traditional ceremony held at Santos Party House, although they did head bang to “Party Hard” during the reception.
The more I get to know the pair, the more curious I am of Andrew’s definition of “party.” When one envisions of the word, especially coming out of a rock star’s mouth, a “fuck it” Jim Morrison mind set comes to mind. Yet his politeness, the traditional wedding, and deep consideration of others (particularly when it pertains to humping in public) leads me to wonder if the most the two men have in common are their unwashed pants. I ask Andrew how he defines the word “party.”



“Party is a very simple word that everyone understands in its essence, but it can also mean something unique to each person, which I think is the best aspect of that word. It’s something you can do on special occasions like the New Year, or your birthday, or Friday; when you are very thankful that a weekend is coming, or that it’s a new year, or you were even born at all,” says Andrew. “But if you’re thankful to be alive every day then you can party and have that celebratory mindset,” he continues. “Taking something that you are grateful for, fully acknowledging it, and then driving that energy towards that appreciation. That’s how I think of it. That’s how I justify doing it every day.”
I’m realizing that for Andrew and Cherie, “party” isn’t just sex, drugs, and rock ‘n’ roll, but rather a mind set, something deeper, even spiritual.

When the interview concludes we all leave Santos Party House at the same time, and I happen to be heading in the same direction as Andrew and Cherie. So I don’t look like a creepy stalker who has secretly been envisioning group sex throughout the interview, I keep my distance, but observe. Bundled up on the chilly evening, arms around one another, the pair doesn’t look like rock stars, but they do look in love.

“I’ve never met any other person, let alone a lady, that can throw down as hard as me and never complain about it. She has a much better attitude than me. I try to learn from her every day about being better at life, let alone head banging,” says Andrew.

To see Cherie in all her glory, catch her performing at Webster Hall’s Trash Party Friday, March 29th. She hits the stage at 2AM. Take a hit of whatever Andrew and Cherie are inhaling and stay up for it.
(Source: app.meinmyplace.com)
An illustration of Marielena as part of an ongoing collaboration between Me In My Place and Jose David Morales
see All of Marielena’s shots, including the naked ones here.
An illustration of Melissa Stetten as part of an ongoing collaboration between Me In My Place and Jose David Morales